Butler Tube Driver - Take A Breath solo, Starfinder speaker - clean tone with compressor - Coming Back to Life solo, Starfinder speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II, Shown above - 150w Hi-Tone Crescendo 'A' with aluminum dust cap and Kurt Mueller cone. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. Established in England, 1958. Frames were coated with a gray hammerite finish but changed to black in the late 1970s-early 1980s. There are many versions of the classic Fender Bassman amp combo, but the model that David is most known for using is the reissue from 1990 called the 59 Bassman. Producing high-quality pro audio transducers. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. This served to expand FANEs reputation globally as a pioneering brand with a true passion for innovation in audio. I never tried the standard Tonker, but I tried the Tonkerlite, which was supposed to be the closer of the two. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. The Ascension F90 is the speaker of choice for modern rock and metal sounds. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. Played about 30 mn for comparison test at moderate volume then stored in dry place waiting for an abounded project. It's such a beast of a driver even attempts at clones have fallen short. Below are clips of my 59 Basman LTD with blue frame alnico speakers. WOT'S, UH THE DEAL WITH THE FENDER 59 BASSMAN REISSUES DAVID GILMOUR USED? Spain, The Silver Label version was reversed so all the text was in black, other than The Crescendo name. The 12 A was the type often used by Gilmour. Pigtails, shims and instructions are included. They should be replaced after about 20-25 years, which adds to the cost. "His stage speaker system consists of two WEM 4x12's with Fane Crescendo speakers, two Marshall 4x12's and three custom-made rotating speaker cabinets we call "doppolas." Classic Fane build quality, titanium reinforced frame, rare anisotropic ferrite magnet. The Ascension F70, 12-inch, 70 watt, ceramic magnet driver, represents the evolution of a classic tone guitar speaker for players looking for a fresh point of reference. Why not contact them (, Too late now to edit my earlier post, but I've discovered that that link doesn't work. Fane Crescendo speakers for bass guitar cabinets. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but . These should be the best clones for Fane Crescendo speakers. 182 yladrd61 said: Check out Eminence Legend 1058's I've had the Legend 1058's in a Fender '63 VIbroverb RI. There are many cabinet sizes with various speaker sizes and configurations. $279.00. It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator. I have also seen different model Fane speakers that have been re-labeled with fake Crescendo labels. $700 Used - Excellent Matched Pair #3 - B&C 15PZB40-8 Pro Grade 1,400 Watt 15" Speakers/Woofers - Look & Sound Great! The Eminence Tonker and Tonkerlite speakers were rumored to be Crescendo clones. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. 2016 Fane International Limited. The '59 Bassman is a replica of the original 1959 tweed covered Bassman model 5F6-A combo, a 45w amp with four 10" speakers, and four inputs. showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. Those were used with his Hiwatts, and I presume the third was a spare. I wonder if people will like the non-aged Crescendo the same? We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. Shown above - Fane Crescendo speaker catalog pages and ad listings from the early 1970s. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). Fane produced a massive number of . - Made in England. - Less than 10 hours of use at moderate amplifier volume . I use it to pair with brighter speakers like the Hi-Tone Crescendo A, DR-F, or the Weber FC12. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. (Not Bridge Pickup). Producing high-quality pro audio loudspeakers. The 0.5W gives you the possibility of having the true sound of the . David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? Around 2002-2003 production moved to China and the sound changed again, to something in between the 1980s sound and the more mid scooped 1990s sound. I replaced the 1058's with Jensen C10Q's, and later I replaced the C10Q's with Alessandro's. To my ears, the Alessandro's were the winner and stayed in that amp when I sold it. They were also much heavier and used thicker wood than the Hiwatt and Marshall 4x12 cabinets of the time. Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. Fane branded their stock speakers for Hiwatt, Sound City, and Simms-Watts, but they were usually marked with the same speaker model numbers as the Fane branded versions. DR-Fs, which stand for "Dave Reeves Fanes", are based on the Fane 125161 purple backed speakers used in vintage Hiwatt cabs from the late 1970s. The stock amp sounds excellent, but y. Drivers for household or reinforcement use were advertised in 1959. However, if your roadie has a heart pacemaker, he/she should not pick up that WEM 4x12 and hold it close to his/her chest. Watkins no longer make WEM cabs and they are extremely very rare to find in good condition these days, and even those in poor condition are very expensive. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. All used the exact same chassis, circuit, transformer, and tubes as the Twin Reverb. Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. Vintage Bassman amps with the 5F6-A circuit sound very close to the 59 Bassman reissue with blue frame alnicos, but depending on the speakers used, they may sound more overdriven at high volume. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones It may not display this or other websites correctly. on on on on on Ascension F70 Classic Fane Crescendo tone with AlNiCo magnet. Aux portes de la Citadelle de Lille, faites escale sous les tropiques lillois le temps d'un djeune Shown above - Fane Crescendo 100w 12 A speakers from the early and mid 1970s with 122326 ID codes and various spoke label colors. This speaker has had a small cone repair, its sound and looks are unaffected. The Ascension A30, 30 watt guitar speaker, has been voiced to offer more crunch for classic vintage guitar tones. Producing high-quality pro audio loudspeakers. These are famously known to be the Gilmour speaker of choice -Fane ID Code 122326, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." Hey! All had aluminum dust caps. David's WEM speaker cabinets are typically loaded with Fane Crescendo 100w 12" speakers. Built to a high standard with systematic testing and strict quality controls that ensures performance excellence is retained indefinitely, DOWNLOADOUR PRODUCT CATALOGUE! The new Studio series incorporating, amongst others, Colossus models, reflected the very latest developments in acoustic engineering. Also note the notches around the mounting screw holes that cut through the frame spokes. 100 watts is fine for live use in medium to large venues, but overkill for small venues or home use. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. This is a Strat with EMG-SA neck pickup, Boss CS-3 Compressor, and a ProCo Rat. It is still very close, as you can hear in the sound clips below. Fane is a wholly British owned company with it's headquarters located in West Yorkshire, England. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. David Gilmour's Marshall JCM-800 speaker cab loaded with Celestion speakers and his WEM 4x12 cab loaded with Fane Crescendo 100w speakers, David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800, - There are many good brands of speaker cabinets -. For David's 2006 tour he had three WEM Starfinder 4x12" cabs. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. No such thing, I'm afraid. -David Gilmour, Guitar Player, Nov 1984. WEM cabs were famously used by The Who, Jimi Hendrix, and Pink Floyd, who showcased them to the world in thier Live at Pompeii movie in 1972. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. GET IT NOW. The HI-TONE Eclipse series cabinets with "HT-C 'A'" speakers from Eminence are an homage to David Gilmour's WEM cabs loaded with Fane Crescendo A speakers. Producing high-quality pro audio loudspeakers. Description. David has also used other similar Fender tweed amps in his Medina studio in Hove, such as the Bandmaster and Tremolux. FANE was established to manufacture commercial loudspeakers for radio and television sets as well as the new hi-fi industry as the new technologies and economy of the post-war era saw a huge expansion in affordable consumer products. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. The MB means it's a mid bass driver, like the type used in two-way ported enclosures with a horn tweeter. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. Marshall, Fender, Mesa, Hiwatt, Hi-Tone, Reeves, Peavy, Bogner, Orange, et cetera. Interesting news about the Crescendo revivalwill they manufacture it the same as it was 45 years ago, or will they try to reproduce the sound that an old and worn-in driver makes? 4x12" cabs are overkill for home playing and are really only necessary for large venues. Also note the words "FANE MADE IN ENGLAND" cast into the spokes of early Crescendo frames. David had a third WEM loaded with Crescendos behind him as a spare that was used to monitor his second guitarist in the first part of the 2016 tour. Weber FC12 ceramic en 8 ohm. Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum that knows more about vintage tubes, than I could ever remember. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. Free shipping on many items | Browse your favorite brands | affordable prices. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. You are using an out of date browser. It was still fitted with Jensen P10R speakers. Both amps are alwasy on, which allows him to have a blend of both types of speaker tones. The opening of our offshore manufacturing plant enabled FANE greater competitiveness to meet the challenges of a market in which the number of rival brands had increased exponentially at the same time of vastly increasing production output. These are made with a replica of a German-made Kurt Mueller cone, the same type that was used in original 1970s Fane Crescendos. You must log in or register to reply here. This Speaker can be Paired and is the same as GSFS00012. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. In 2008 the FANE product line was officially re-launched under the ownership of the Barnes family with headquarters still located only ten miles from the original FANE factory in Batley, West Yorkshire. Hearing a Hiwatt through the Starfinder speaker is instantly recognizable as the Gilmour Pink Floyd sound, especially his early to mid 1970s tones. The Fender 65 Twin Reverb reissue (from 1992 onward) is the one I use for Pink Floyd's Dark Side of the Moon/Wish You Were Here album tones. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. Any of those will work for the way Gilmour used the amp. Outstanding Reliability. Flux Density 20,000 gauss - what does that mean? There are some speakers models that have parameter specs that are slightly different for the 8ohm version than the 16ohm, but probably not much of an audible difference other than slightly more midrange with the 8ohm version. Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the worlds leading venues and entertainers. Closed-back cabinets sound more focused and project the sound in one direction. VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net, This website is frequently updated. - 16 ohms, 100 watts, massive 20,000 gauss magnet. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. The amp was set at very high volume, not bedroom volume. Your purchases help youth music programs get the gear they need to make music. Players worldwide pay continued homage to those classic sounds. It is unknown what David's used. I doubt he has used the China made version that satrted production around 2002-2003. The paper indentification labels, usually printed in black/brown/red color, were placed on one spoke. Watch this gear and we'll notify you if it becomes available again. The Crescendos have a distinct bright tone that accents the upper mid range. For comparison purposes, below are sound clips of a real Fane Crescendo 12A through a Hiwatt (Reeves Custom 50). 1 2 3 4 Next M Mcentee2 Member Messages 1,503 Feb 12, 2020 #1 As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? Please check the fields highlighted in red. It is the perfect amp to use clean, with a B.K. Aluminum caps were popular with many speaker manufactureres in the 1970s. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers People sometimes mixed the two, but guitarists typically used the 130 speakers. Fane International limited, UK manufacturer of component loudspeakers and pro audio products are proud to announce the appointment of Sonido Musica Indonesia (SMI) as its new distribution partner for the Indonesian Pro Audio market. Fane UK now are less than helpful on older speakers unfortunately. David Gilmour's Marshall JCM-800 speaker cab loaded with Celestion speakers and his WEM 4x12 cab loaded with Fane Crescendo 100w speakers, Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. They sound harsh for the first few weeks when new, as is the case with most new speakers. Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. They brought out much more detail in the top end, but some found the sound too harsh. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). Each performance was recorded on a Boss RC-3 looper and played back through my rig with identical effects and settings, so each performance is identical. From its inception FANE demonstrated the pioneering spirit that has comprised a core element of its ethos through to the present day. Classic Fane build quality, titanium reinforced frame, rare anisotropic ferrite magnet. - I purchased these new from Rawson Sparfield and had them shipped directly to me. 100w MINT. They used to be sold by a retail outfit called RSC, who I think may have had a connection with the manufacturers themselves. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. TYPES OF SPEAKER CABINETS - There are many good brands of speaker cabinets - Marshall, Fender, Mesa, Hiwatt, Hi-Tone, Reeves, Peavy, Bogner, Orange, et cetera. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's Used - Good. shown above - 59 Fender Bassman LTD (laquered tweed) from 1995 with Jensen PR10 speakers. 1973 and 1974 tours. Those had a wider frequency range than the type 'A'. Dec 6, 2021 #22 Mustardc Caps Member Joined Oct 15, 2021 Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. Site developed by Edoru. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. They can be purchsed in speaker cabinets or individually here. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. Devices of innovative design, skilful engineering and superb performance.Every product represents the cutting edge in acoustic design technology, engineering and material science, optimised performance and outstanding durability coupled with amazing value. The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. David used a silverface Twin Reverb in the, The Fender 65 Twin Reverb reissue (from 1992 onward) is the one I use for Pink Floyd's. The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. Id look into the new Fane Ascension Series F70/F90s. Fane has a strong heritage and history in sound engineering excellence. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone heard in most Gilmour performances. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Used to be Crescendo clones is still very close, as you can hear the... Testing and strict quality controls that ensures performance excellence is retained indefinitely, PRODUCT... High end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character the! Spoke labels used on Fane Crescendos from the aluminum dust caps visible through the frame spokes the best clones Fane! 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Levels in excess of 100 dB Pink Floyd sound, especially his early to mid tones. Spirit that fane crescendo speakers comprised a core element of its ethos through to the vintage that...
